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Monahin, Nona. (2015). 鈥淲riting for Posterity: A Reassessment of Arbeau鈥檚 Orch茅sographie (1589).鈥 In Congress on Research in Dance Conference Proceedings, (2015), 125-135. h. doi:10.1017/cor.2015.21
Monahin, Nona. (2011). 鈥淩enaissance Dance: Misura in the Service of Dramaturgy.鈥 In Ann Buckley and Cynthia Cyrus (Eds.), Music, Dance and Society鈥tudies in Memory of Ingrid G.Brainard (pp. 211-230). Kalamazoo, Mich.: Medieval Institute Publications.
Monroe, A. (2024) Trob谩r's first album, Il Dit Elle Dit: Love & Dialogue in the World of Christine de Pizan, received a favorable review in Early Music America Magazine. The review highlighted its "exquisite intonation," "delightful lilt," and "clear," "vital," and "well-balanced" sound, and quoted extensively from Artistic Director Allison Monroe's liner notes.
Medieval music ensemble Trob谩r just released their first album, Il Dit Elle Dit: Love and Dialogue in the World of Christine de Pizan, featuring Allison Monroe (Artistic Director), Elena Mullins (Executive Director), Karin Weston, and Tis Kaoru Zamler-Carhart. The album is now available on all major streaming platforms or via their website: https://www.trobarmedieval.org/album
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Montague, E. (2020) Interview with The New Current.
Montague, E. (2020) .
Moskowitz, A. 鈥泪尘辫别谤肠别辫迟颈辞苍.鈥&苍产蝉辫;Political Concepts: A Critical Lexicon, iss. 7, 2024.
Moskowitz, A. The Racial Economy of Perception: Reading Black Sociality in the Nineteenth Century.鈥 NOVEL: A Forum on Fiction, vol. 56, no. 1, 2023, pp. 1-20.
Moskowitz, A. 鈥淎pathy, Political Emotion, and the Politics of Space in Thoreau鈥檚 Antislavery Writing.鈥 Criticism: A Quarterly for Literature and the Arts, vol. 64, no. 2, 2022, pp. 139-160.
