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Two projects from the Fall 2024 DATA-390 Data Science Capstone, taught by Professor Arie Shaus, were showcased at the Digital Humanities Boston 2025 conference. Eonbi Choi ’25 presented her work, “Enhancing Museum Collection Tagging with Convolutional Neural Networks,” a collaboration with the Museum, while Dening Li ’25 presented her research, “Framing Marriage and Fertility in China: A Data Science Analysis of Government Discourse in the People’s Daily Newspaper.”

Singer, K., Leveton, J. H., Turner, K. (2025). “Alternate Endings”: Romanticisms, Anthropocenes, Objects Study, and Activist Art Futures. Essays in Romanticism 32 (1) 39-68. .

Singer, Kate, ed. (2024). Black Studies and Romanticism Romanticism on the Net 82 (Spring 2024).

Singer, Kate. (2024). Creatrix Witches, Nonbinary Creatures, and Shelleyan Transmedia. In Omar F. Miranda and Kate Singer (Eds.), Percy Shelley for Our Times (pp. 214-237). Cambridge University Press.

Miranda, Omar F. and Singer, Kate (2024). Percy Shelley for Our Times. Cambridge University Press.

Singer, Kate (2024). “I feel it coming in the air tonight”: Mephitical Vapors, Pestiferous Plagues, and the Psychosis of Materiality in Wollstonecraft. In Elizabeth Fay (Ed.) Romantic Psychosis. Romantic Circles Praxis Series. Romantic Circles. .

Singer, K. (2024). “Multi-dimensional Sex with Objects in Millenium Hall.” In Kathryn Ready and David Sigler (Eds.), Romantic Women’s Writing and Sexual Transgression (pp. 30-51). Edinburgh University Press.

Named President of the Keats-Shelley Association of America (k-saa.org), an international organization of more than 300 members devoted to the study and enjoyment of the works of Keats, the Shelleys, and the larger Romantic period. We support young scholars, provide events to the larger literary community of readers, and create community across academics, life-long literary enthusiasts, and young readers.

Sinha, A. (2023). Photo-Attractions: An Indian Dancer, an American Photographer, and a German Camera. Rutgers University Press.

Smith, S. S. (2024) Solo Exhibition: "Thresholds of Accumulation and Imperceptibility," Hampshire College Art Gallery. September 16-November 8, 2024. Reception: Friday, September 20, 2024 5-7 PM.