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Goodwin, H. (2024). Stardust: Cinematic Archives at the End of the World. University of Minnesota Press.

Goodwin, H. (2024). “.” Docalogue.

Goodwin, H. (2022). “Flickering Lights and Mischievous Stars: Uncanny Entanglements in My Twentieth Century." Uncanny Histories. Ed. Patrice Petro. Rutgers University Press. 

Goodwin, H. (2022). “Theorizing Cosmological Archives through Nostalgia for the Light." El cine documental de Patricio Guzmán. Ed. Jaime Céspedes. Peter Lang Press. 

Goodwin, H. (2021). “Atomic Tests: Experimental Filmmaking in the Nuclear Era.” Journal of Film and Video 71 (2).

Goodwin, H. (2025) Invited speaker, "Cinema and Extinction" Symposium at the University of Indiana, February 27–28, 2025

Goodwin worked with colleagues at UC Santa Barbara and UC Berkeley to co-organize a conference on the topic "Mediating Deep Time," addressing the ways media can expose us to and ask us to think through radically long-term perspectives even in a time of climate change, mass extinction, and the “Anthropocene.” The .

Adrianne Greenbaum was invited to perform at Early Music Summit at Case Western Reserve.

Adrianne Greenbaum performed as a solo flutist for WEVD historical re-enactment 7-piece chamber ensemble.

In August 2022, Greenbaum was selected to be a featured performer on the final 50th Anniversary Gala Concert of the National Flute Associations’ Convention in Chicago where she performed a 20” set of klezmer including a world premier of her Yiddish March composed for the occasion. The audience in attendance was not shy as they joined Greenbaum in dancing in the aisles while she played, proving that her mission to return the historical presence of the flute as a klezmer instrument has largely has been accomplished.