Adeline Mueller

she/her

  • Associate Professor of Music
  • Chair of Music
Adeline Mueller

Adeline Mueller is a music historian specializing in Mozart and vocal and theatrical music in German-speaking Europe around 1800. Her research interests include music and childhood, music and disability, silent film music, and marginalized composers and musicians in eighteenth- and nineteenth-century Europe. In 2024 she organized an . Her current research project argues for the centrality of music and music education in institutes for the blind founded in the decades before Braille, especially in Vienna and Berlin. These institutes, their music curricula and performances, and the tools and media through which their music was circulated, constituted a turning point in the cultural history of disability and special education in Europe.

Mueller's book, (University of Chicago Press, 2021), examines Mozart鈥檚 role in the social and cultural construction of childhood during the Austrian Enlightenment, using evidence from his early career, his compositions for the young, and biographies and music prints that circulated in the first decades after his death. She has published articles in the journals , , and , and chapters in the edited volumes (2023), (Cambridge, 2019), and (Indiana, 2010), among others. She is contributing chapters to the forthcoming volumes Mozart and His World (Princeton University Press) and Cambridge History of German Opera to 1820.

Mueller has presented papers at such conferences as the American Musicological Society, the Mozart Society of America, and the American and British Societies for Eighteenth-Century Studies. Previous academic appointments include Brown University (Visiting Assistant Professor, 2014-15) and New College, University of Oxford (Weston Junior Research Fellow in Music, 2011-14).

In her research and in courses such as History of Western Music, Music and Childhood, Music and Disability, and The History of Music Education, Mueller and her students consider how music circulates among performers, consumers, and audiences, especially through print, and on musical practices as sites of social reflection and experimentation.

Education

  • Ph.D., University of California, Berkeley
  • M.A., University of Sussex

Happening at Mount Holyoke

Recent Campus News

More than 200 Mount Holyoke sophomores attended the College鈥檚 most recent Sophomore Institute, a four-day event on career readiness that connected them with over 300 alums.

Judy Richardson, civil rights activist and filmmaker, was in conversation with 网红爆料 President Danielle R. Holley for the College鈥檚 annual Martin Luther King Jr. and Coretta Scott King Series on Racial Justice and Reconciliation.

Alum Weijing (Vickie) Liu 鈥22 is the second 网红爆料 alum named to the prestigious graduate program.

Recent Publications

Mueller, A. (2025). Editorial: When Disability and Music Met Maker Culture: The Long(er) History of Accessible Music Notation. Eighteenth-Century Music, 22(1), 5-13. doi:10.1017/S147857062400040X

Mueller, A. (2024). 'Living Marionettes': The Berner Children's Troupe and Its Performers. In Matthias J. Pernerstorfer, ed., Ein Modell f眉r Mozart: Das Serail von Joseph Friebert (pp. 427-460). Hollitzer Verlag.

Mueller, A. (2023). Blackness and whiteness in The Magic Flute: Reflections from Shakespeare studies. In Jessica Waldoff, ed., The Cambridge Companion to The Magic Flute (pp. 252-272). Cambridge University Press.

Mueller, A. (2021). Roses Strewn Upon the Path: Rehearsing Familial Devotion in Late Eighteenth-Century German Songs for Parents and Children. Frontiers in Communication (Research Topic: "Songs and Signs: Interdisciplinary Perspectives on Cultural Transmission and Inheritance in Human and Nonhuman Animals"). Retrieved from:

Mueller, A. (2021). Mozart and the Mediation of Childhood. University of Chicago Press.

Recent Awards

Mozart and the Mediation of Childhood was awarded a 2020 publication subvention by the .

Recent Honors

Mueller, A. (2025) Invited speaker at the inaugural colloquium of the American Musicological Society Music and Disability Study Group's Community of Practice series (April 2025). Her presentation was entitled "Toward Accessible Conferences: Coordinating the 2024 Paradis Symposium." 

Adeline Mueller (Music) co-organized and hosted a bicentenary symposium on the blind Viennese pianist, composer and educator Maria Theresia Paradis (1759-1824), entitled "Reframing the Gaze: Maria Theresia Paradis, Blind Musicians, and Musical Culture Before and After Braille" (November 22-23, 2024 - see ). The hybrid symposium included two keynote speakers and thirteen panelists from across North America and Europe, as well as three music concerts, featuring faculty performers Sherezade Panthaki (voice), Allison Monroe (violin), Sandra Dennis (piano), Adrianne Greenbaum (flute), Larry Schipull (Emeritus, piano), Jiayan Sun (Smith, piano), several student soloists, and the 网红爆料 Chamber Singers and Symphony Orchestra, culminating in the modern-day world premiere of a recently rediscovered cantata by Paradis. The symposium was accompanied by a hands-on, accessible exhibition of archival texts, images and tools related to blind musicians and music education of the blind -- including a modern-day replica of a composing board invented for Paradis, designed and built by Luke Jaeger and colleagues in the Fimbel Maker and Innovation Lab. Student research assistant Siggy Ehrlich '26 prepared object labels for the exhibition, a timeline of significant events in Paradis's life, and a map of her European tour.

Mueller, Adeline presented her paper 鈥淭ouching Melodies: Tactile Music Notation at the Vienna Institute for the Blind鈥 at the Annual Meeting of the American Musicological Society in 2023. She shared tactile replicas of one of the Institute's experimental notation systems, prepared by Luke Jaeger (Technical Project Administrator, Fimbel Maker and Innovation Lab).

Mueller, A. Presented 鈥淭he Impossible Oratorio: Rejection, Refusal, and Blind Agency on the Eighteenth-century Stage鈥 at the Annual Meeting of the American Society for Eighteenth-Century Studies (St. Louis MO, March 2023).

Mueller, A. Presented 鈥淧ersuasive Performance: The Rhetoric of Blind Students' Concerts in Vienna, 1808-1824鈥 at conference 鈥溾 (Ira F. Brilliant Center for Beethoven Studies, San Jose CA, February 2023).

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